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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">filnauki</journal-id><journal-title-group><journal-title xml:lang="ru">Филологические науки в МГИМО</journal-title><trans-title-group xml:lang="en"><trans-title>MGIMO Journal of Language Research and Teaching</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2410-2423</issn><issn pub-type="epub">2782-3717</issn><publisher><publisher-name>МГИМО МИД России</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24833/2410-2423-2019-3-19-131-138</article-id><article-id custom-type="elpub" pub-id-type="custom">filnauki-229</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Литературоведение</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>LITERATURE AND LINGUOCULTURAL STUDIES</subject></subj-group></article-categories><title-group><article-title>Термины цвета в Малой прозе</article-title><trans-title-group xml:lang="en"><trans-title>COLOUR TERMS IN SUDDEN FICTION</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Панасенко</surname><given-names>Н. И.</given-names></name><name name-style="western" xml:lang="en"><surname>Panasenko</surname><given-names>N.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Панасенко Наталья Ивановна – доктор филологических наук, профессор Кафедры языковой коммуникации</p><p>Пл. Йозефа Герду, 2. Трнава, Словакия 917 01</p></bio><bio xml:lang="en"><p>Nataliya Panasenko – Doctor of Philology, Professor at the Chair of Language Communication</p><p>917 01, Slovakia, Trnava, Nám. Jozefa Herdu, 2</p></bio><email xlink:type="simple">cindy777@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Университет Св. Кирилла и Мефодия в Трнаве</institution><country>Словакия</country></aff><aff xml:lang="en"><institution>University of SS Cyril and Methodius in Trnava</institution><country>Slovakia</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>03</day><month>10</month><year>2019</year></pub-date><volume>19</volume><issue>3</issue><fpage>131</fpage><lpage>138</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Панасенко Н.И., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Панасенко Н.И.</copyright-holder><copyright-holder xml:lang="en">Panasenko N.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://philnauki.mgimo.ru/jour/article/view/229">https://philnauki.mgimo.ru/jour/article/view/229</self-uri><abstract><p>Данная статья представляет анализ восприятия цвета и его интерпретации в психологии и символизме, освещает свойства цвета, подходы к его изучению, главным образом, в лингвистике. Одним из свойств цвета является его способность выражать человеческие эмоции и чувства, как положительные, так и отрицательные (вербально/невербально) и создавать тем самым определённую атмосферу в ситуации, когда цвета в ней преобладают. Различные цветовые оттенки формируют лексико-семантическую группу, объединяющую прилагательные и существительные, которые могут быть простыми, производными и сложными. Рассмотренные автором рассказы включают много терминов, выражающих такие свойства цвета, как оттенок, насыщеннность, цветовой тон, светлоту и интенсивность; каждый из них в определённой мере способствует успешному декодированию некоторых культурологических фрагментов информации, скрытых в текстах Малой прозы, анализ которой показывает, что эти тексты имеют специфическую композицию и что термины цвета выполняют в ней различные функции. Дескриптивные функции главным образом связаны c фокусными цветами; они обозначают свойства объекта. Другие же функции, такие, как функция создания персонажа, ассоциативная, метафорическая, символическая, семиотическая и культурологическая, имеют более сложный характер. Их идентификация требует подключения фоновых знаний культурологического, социального и исторического плана.</p></abstract><trans-abstract xml:lang="en"><p>The paper presents the analysis of colour perception and its interpretation in psychology and symbolism; it highlights colour properties and the approaches to colour studies largely in linguistics. One of the features of colours is their ability to express human emotions and feelings, either positive or negative (verbally/ nonverbally), and to create certain atmosphere in the situation abound in colours. Shades of colours can be regarded as a lexico-semantic group formed by adjectives and nouns, which can be simple, derived, and compound words. Short texts include many colour terms expressing such colour properties, as hue, saturation, tone, lightness, intensity; each of them contributes to decoding of some culture-specific features hidden in Sudden fiction. The analysis of Sudden fiction shows that short stories have specific composition, where colour terms perform different functions. Descriptive functions are mainly connected with focal colours and identify objects’ properties. Other functions, such as character-generating, associative, metaphoric, symbolic, semiotic, and culture specific are more complicated. Their identification implies additional knowledge of cultural, social, and historical planes.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>термины цвета</kwd><kwd>свойства цвета</kwd><kwd>цвет в психологии</kwd><kwd>символика цвета</kwd><kwd>цвет в художественных текстах</kwd><kwd>радикализация</kwd><kwd>Малая проза</kwd><kwd>функции цвета</kwd></kwd-group><kwd-group xml:lang="en"><kwd>colour terms</kwd><kwd>colour properties</kwd><kwd>colour in psychology</kwd><kwd>symbolism of colour</kwd><kwd>colour in literary texts</kwd><kwd>radicalization</kwd><kwd>Sudden fiction</kwd><kwd>functions of colours</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Bennett, Т. J. А. Aspects of English colour collocations and idioms. Heidelberg: Carl Winter Universitätsverlag, 1988. 300 p.</mixed-citation><mixed-citation xml:lang="en">Bennett, Т. J. А. 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