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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">filnauki</journal-id><journal-title-group><journal-title xml:lang="ru">Филологические науки в МГИМО</journal-title><trans-title-group xml:lang="en"><trans-title>MGIMO Journal of Language Research and Teaching</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2410-2423</issn><issn pub-type="epub">2782-3717</issn><publisher><publisher-name>МГИМО МИД России</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24833/2410-2423-2018-4-16-45-52</article-id><article-id custom-type="elpub" pub-id-type="custom">filnauki-23</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>Лингвистика и межкультурная коммуникация</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>LINGUISTICS AND INTERCULTURAL COMMUNICATION</subject></subj-group></article-categories><title-group><article-title>ESTEREOTIPOS DE LO BONITO Y LO FEO (A BASE DE LAS LOCUCIONES ESTABLES)</article-title><trans-title-group xml:lang="en"><trans-title>STEREOTYPES OF BEAUTY AND UGLINESS (ON THE BASIS OF SET FIGURATIVE COMPARISONS)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Передерий</surname><given-names>Елена Борисовна</given-names></name><name name-style="western" xml:lang="en"><surname>Perederi</surname><given-names>Elena B.</given-names></name></name-alternatives><bio xml:lang="ru"><p>1 calle Malaya Pirogovskaya, Moscú, 119991</p><p>Передерий Елена Борисовна – кандидат филологических наук, доцент, профессор кафедры романских языков им. В.Г. Гака МПГУ (Россия, Москва). Сфера научных и профессиональных интересов: семантика, синтаксис испанского языка, лингвокультурология.</p></bio><bio xml:lang="en"><p>1, M. Pirogovskaya Street, Moscow, 119991</p><p>Elena B. Perederi – PhD, Professor of Department of Roman Languages V.G. Gak, MPSU (Moscow, Russia). Spheres of research and professional interest: Semantics and Syntax of the Spanish Language, cultural linguistics.</p></bio><email xlink:type="simple">elenaperederi@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Universidad Pedagógica Estatal de Moscú</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow Pedagogical State University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>19</day><month>01</month><year>2019</year></pub-date><volume>4</volume><issue>16</issue><fpage>45</fpage><lpage>52</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Передерий Е.Б., 2019</copyright-statement><copyright-year>2019</copyright-year><copyright-holder xml:lang="ru">Передерий Е.Б.</copyright-holder><copyright-holder xml:lang="en">Perederi E.B.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://philnauki.mgimo.ru/jour/article/view/23">https://philnauki.mgimo.ru/jour/article/view/23</self-uri><abstract><p>El artículo presenta el análisis de los estándares propios para el corpus de las comparaciones estereotipadas que describen la hermosura y la fealdad de una persona u objeto y contienen las palabras bonito, hermoso, bello, guapo y feo. Los conceptos de lo bonito y lo feo son polifacéticos y cambiantes en el tiempo, por lo que el estudio de los mismos ayuda a revelar los gustos y las preferencias estéticas existentes en una comunidad y en una época concretas. Los estándares que se asocian con la hermosura y la fealdad se han distribuido en 8 y 9 campos semánticos respectivamente. Para lo bonito destacan los campos siguientes: religión y mitos; piedras y metales preciosos; artefactos, obras de arte y literatura; cuerpos celestes; flora; fauna; amanecer y anochecer; personajes del mundo de los espectáculos y la moda. Para lo feo los estándares pertenecen a los campos de religión, mitos y creencias; objetos domésticos; flora; fauna; noche; personajes del mundo del espectáculo y la moda; nombres de personas reales que llegaron a simbolizar la fealdad; fenómenos negativos; situaciones negativas.</p></abstract><trans-abstract xml:lang="en"><p>The article presents the analysis of the standards belonging to the corpus of the stable figurative comparisons that describe the beauty and the ugliness of a person or object and contain the words bonito, hermoso, bello, guapo and feo. The concepts of the beautiful and the ugliness are multifaceted and changing in time, so that the study thereof helps to reveal the aesthetic taste and preferences existing in a certain language community and in a given period of time. The standards associated with the beauty and ugliness have been distributed in 8 and 9 semantic fields respectively. For the standards of beauty the following semantic fields are highlighted: religion and mythology; precious stones and metals; artifacts, works of art and literature; celestial bodies; flora; fauna; dawn and sunset; representatives of show business and the world of fashion. The standards of ugliness are distributed in semantic fields: religion, myths and beliefs; household items; flora; fauna; night; representatives of show business and the world of fashion; the names of real people who became the embodiment of ugliness; negative phenomena; negative situations.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>lengua española</kwd><kwd>locuciones comparativas estables</kwd><kwd>estándar de la comparación</kwd><kwd>linguoculturología</kwd><kwd>bonito</kwd><kwd>hermoso</kwd><kwd>bello</kwd><kwd>guapo</kwd><kwd>feo</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Spanish language</kwd><kwd>stable figurative comparison</kwd><kwd>standard of the comparison</kwd><kwd>cultural linguistics</kwd><kwd>bonito</kwd><kwd>hermoso</kwd><kwd>bello</kwd><kwd>guapo</kwd><kwd>feo</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Зимин В.И., Пак Сон Гу. 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